Tag Archives: The Train from Pittsburgh

On Reading 100 Books, Part II

Another year over, and once again I failed miserably at reading 100 books.

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But I did succeed in garnering the silent judgement of cats everywhere.
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All right, maybe “failed” is a strong word. I ended up reading 70 books and that’s nothing to scoff at, right? Scornful sideways glances from feral felines aside, I decided to highlight five of my favorite books and three of my least favorite books of 2015. If it tickles your fancy, you can look at the whole list on the next page.

The Five I Liked the Most:

loveLove is a Dog from Hell: Poems, 1974-1977 by Charles Bukowski
I learned about this book of poetry by way of The Limousines’ song of the same name. This was my first foray into the writings of Bukowski and it didn’t disappoint. With lines like “I have gotten so used to melancholia / that / I greet it like an old / friend.” and “I am going / to die alone / just the way I live,” this certainly isn’t Lord Byron or John Keats.  This is the kind of stuff you read after a breakup, right before rushing out to do it all over again. These are a few of my favorite lines from the poem Chopin Bukowski:

people need me. I fill
them. if they can’t see me
for a while they get desperate, they get
sick.

but if I see them too often
I get sick. it’s hard to feed
without getting fed.

youYou by Caroline Kepnes
Stephen King—of whom I officially became a fan in 2015 thanks to It and Four Past Midnight—called this book “hypnotic and scary.” What more of an endorsement do you need? You illustrates how easy it is to stalk a person in the digital age. It’s an eerie, well-written page-turner that’s left me eagerly awaiting the sequel, Hidden Bodies, due out in February.

mosquitoMosquitoland by David Arnold
It’s very seldom that a book bring me to tears (in a good way), but this YA debut did just that. The premise—a teenager has to return to her home town via Greyhound when she learns her mother is unwell—was what interested me in this book. Whether in real life or in fiction, I love a good road trip. Just like the tumultuous teenage years, Mosquitoland is equal parts happy and sad. It’s now one of my favorite YA novels of all time.

treesSea of Trees by Robert James Russell
I came across Aokigahara—a dense forest at the bottom of Mt Fuji and a popular place where people go to commit suicide—while reading one of my favorite websites. Doing a simple Google search for more information on the location led me to this novella. It’s a quick, creepy mystery about a couple searching Aokigahara for the woman’s lost sister. What’s even creepier is that two movies have been made about this forest, one starring Matthew McConaughey released in 2015 and one starring Natalie Dormer that came out just last week. The creepiest bit, though, is that this is a real place. Check out this great documentary short put out by Vice for more on the Suicide Forest.

linesPoorly Drawn Lines: Good Ideas and Amazing Stories by Reza Farazmand
This book actually came in for someone else, but I saw it and ordered it for myself. It’s hilarious, nonsensical and was a welcome break from the previous book I’d read, The Price of Salt, which was neither hilarious nor nonsensical. Visit the website of the same name for more giggles.

The Three I Liked the Least:

watchmanGo Set a Watchman by Harper Lee
I went into this book with almost zero expectations. I’ve experienced first-hand how disappointing a decades-later followup can be (I’m looking at you, Indiana Jones and the Kingdom of the Crystal Skull). Part of the charm of To Kill a Mockingbird was the way that Lee wrote Scout. Everything that happens is seen through a rose-colored, knee-high lens of childhood. That’s not the case with Watchman. Scout is twenty-six and has returned to Maycomb to visit Atticus. Events transpire that make her question the truths she clung to during childhood. The readers question these truths right along with her and I normally love a good existential rumination, but it’s handled in such a bland and forgettable way here. And that’s not even mentioning how certain characters are almost unrecognizable (ethically speaking) from their Mockingbird counterparts or how the death of a beloved character from Lee’s first novel is only eluded to rather than shown. How this ended up on Goodreads’ Best of 2015 list is baffling, especially when almost every patron I talked with about it also didn’t like it. I don’t want to waste anymore digital ink complaining about it, so I’ll just echo Philip Hensher‘s comments:  it’s “a pretty bad novel.”

starwarsStar Wars: Aftermath by Chuck Wendig
Unlike Go Set a Watchman, I had at least one expectation for this book–that it would prepare me for the galactic landscape after the fall of the Empire. Sadly, this book did little to elucidate the mystery of what happens between the end of Return of the Jedi and the beginning of The Force Awakens. The plot takes its time getting started and by the time it does, I wasn’t nearly as invested in the characters as I should have been. These weren’t familiar characters like Luke Skywalker or Han Solo, so I didn’t particularly care what happened to them. Not to mention the new characters all came across as annoyingly self-assured. Because of this, I felt like there were no real stakes in book at all. But maybe that’s on me; it’s been a long time since I’ve read supplemental Star Wars material. There is one scene of Han Solo and Chewbacca aboard the Millennium Falcon, but as a whole, the book skews toward poorly-written fanfiction. In the plus column, I’ve got to give credit to Wendig for introducing the first gay hero in the form of ex-Imperial soldier Sinjir Rath Velus as well as a lesbian couple. In a universe where there are literally hundreds of different alien species, Star Wars has never been that concerned about diversity … but that’s a blog post for another day.

americanAmerican Pastoral by Philip Roth
This is up there (or down there) with The Train from Pittsburgh as one of my least favorite, most hated, severely unenjoyable reads of 2015. The actual plot of this book–an all-American family is torn apart after their daughter blows up a convenience store at the height of the Vietnam War, with musings of the rise and fall of the American Dream sprinkled in–could be boiled down to probably fifty pages. The other 350 pages of Roth’s novel are made up of tangential ramblings including, but not limited to, the history of Newark, the minutiae of Miss America contests and more information on glove-making than any human ever needs to know. It was frustrating for me to read through these prolonged chapters filled with walls of text and just when I thought that there was no point to be made–that maybe I’d picked up a New Jersey history book by mistake–and I was about to give up, Roth would wrap up his tangent and continue with the narrative. In It, Stephen King was similarly long-winded while detailing of the history of the fictional town of Derry, but King held my interest far more than Roth did in describing a place that’s only a six -hour drive away. Again, I have no one to blame but myself–I only read this because first-time director Ewan McGregor filmed the adaptation here, but getting through this book was such an ordeal that I’m now in no hurry to see the movie, despite my well-documented love for Pittsburgh on film.

Did you set or reach any reading goals in 2015? Do you have any reading goals for 2016 or any tips on how I can finally get to 100? Sound off in the comments below!

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Does Size Matter?

Guys, I completed one of my 2015 Reading Resolutions just in time to start thinking about 2016’s … but I’m getting ahead of myself.

I finally finished Stephen King’s It. I feel a new kind of emptiness inside and my right eyelid has been twitching for the past couple of days (and I thought Chuck Palahniuk wrote some twisted stuff). That old terror of reality is coming to get me, more frightening than any supernatural evil, but I did finish.

I decided to give myself the entire month of October to read It because it’s huge and because I’d finish on Halloween. Spooooooky! I have to say it’s one of the most complete novels I’ve ever read. Some of the book’s detractors may say that there’s too much detail about the history of a fictional town, but it made the whole experience feel more real. I wanted to go on adventures with the kids in the book and I wanted to be with them when they finally faced off with It, which I can only describe as mind-bendingly far out. The made-for-television adaptation is really like a trailer for the book. There’s only so much of the novel that could conceivably be crammed into just over three hours. Some of the novel—like the showdowns with It—are so unfathomably conceptual that they might be unfilmable. Such scenes are better existing only in your mind, if your mind can handle them.

itcoverIt consumed me and took over my subconscious for a several days. I had nightmares about my friends dying pretty regularly while I read it, but on the night I finished it, my dreams were beatific. I didn’t remember specifics upon waking, but I felt at peace.

The novel is a big hulking thing, more weapon than book, that sat on my bookshelf in three different apartments over five years, a towering 1138-page monolith. I felt a new kind of accomplishment when I turned the final page, and finishing it endowed me with the confidence that I could start and—more importantly—finish other long books.

(Please note: When I talk about length, I’m talking about number of pages, not number of words, even though number of words is more accurate.)

For years I’ve been putting off reading some long books, like Michael Chabon’s The Amazing Adventures of Kavalier & Clay. For some reason I thought it was around 1000 pages, but it’s a paltry 639. Ernest Hemingway‘s For Whom the Bell Tolls and John Steinbeck’s East of Eden are practically novellas at barely 500 and 600 pages, respectively. And Moby-Dick? Herman Melville’s classic allegorical tale, which I always thought was much longer (like Kavalier & Clay), comes in at 625. Haruki Murakami‘s 1Q84? That’s closer to It at 925. What about Gone with the Wind? Margaret Mitchell gets even closer at 1037 pages. War and Peace? Tolstoy’s tome tips the scales at a whopping 1386 pages.

Some of these look downright scrawny next to It.

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That sweet, sweet thickness.

It isn’t even King’s longest novel; The Stand holds that honor at 1153 pages.

There are, of course, plenty of articles and listicles about the longest novels, some of which are in our catalog, like:  Joseph and His Brothers (1207 pages), Clarissa, or, The History of a Young Lady (1533) or The Man Without Qualities (1774).

But does size really matter? I’ve read long books that were awful, like the 756-page Breaking Dawn (don’t judge—I was in college, trying to impress a girl) right along with short books that were awful (like The Train from Pittsburgh). Likewise, I’ve read short books that were fantastic (like the 295-page Me and Earl and the Dying Girl). Regardless, it’s undeniable that with more words—and more pages—authors have more room to create a more detailed world into which you can escape.

I doubt anyone would bemoan a well-crafted escape.

What’s the longest book you’ve ever read, dear readers? Do you have any recommendations on what I should read next to decompress after It? Sound off in the comments below!

–Ross

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Authors Hate Him! Local Blogger Discovers Amazing List Of Things To Do Besides Reading. Number 12 Will Blow Your Mind!

Recently we had a behind-the-scenes discussion about pacing in books, the merits of a slower pace versus a faster pace and all that fun stuff. At the time I was reading The Train from Pittsburgh by Julian Farren and didn’t have much to contribute to the conversation. I’ve mentioned before that I have issues with reading during the summer months so pacing is almost a non-issue. But that’s the great thing about books; they never go away.

The Train from Pittsburgh is one book that I wish would have gone away.

I came upon it on an unremarkable day. I was browsing Facebook, as I am wont to do, when it showed up in a post from The Odd, Mysterious & Fascinating History of Pittsburgh, a great page that definitely lives up to its name. Anyway, I thought, “Oh, it’s got Pittsburgh in the title. I must read it!”

“His wife liked his friends… too much!”
The Train From Pittsburgh from 1952
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Posted by The Odd, Mysterious & Fascinating History of Pittsburgh on Tuesday, June 2, 2015

Looking at that cover, I was hoping for a cheesy, pulpy, noir-y book set in 1950s Pittsburgh. What I got was a book originally published in 1948 about white people drinking in excess and whining about their problems with a sometimes not-so-subtle undercurrent of antisemitism and anticommunism. Like if Archie Bunker had been on Cheers and if it wasn’t hilarious.

The main character, Tom Bridges, is an alcoholic who is cheating on his wife, Ellen, but that’s all right because she’s cheating on him, too. Tom is trying to get a man named Mike Myers (no, not that Mike Myers) a job, but Tom’s boss doesn’t want to hire him because Mike is Jewish. Poor Mike is bringing his entire family on the eponymous train from Pittsburgh to New York because Tom practically guaranteed him a job.

Tom gets lit the same night Ellen throws a big party in their New York home and—sixty-seven-year-spoiler-alert—after all the guests leave, Tom decides he’s going to kill Ellen and then himself. His plan is thwarted when Ellen decides she wants to try to get pregnant again.

In the morning he wakes up with a massive hangover and realizes he’s missed the titular train’s arrival. We’re left with no murder-suicide and the presumption that Mike and his family are wandering the streets of New York City.

Pictured: Tom, or me trying to trudge through this book.

Pictured: Tom, or me trudging through this book.

Sometimes unlikable characters can be endearing, as Irene pointed out, but these characters were a waste. Their awfulness compounded with the protracted chapters (I’m sorry, but no chapter ever needs to be sixty pages) filled me with dread each time I picked the book up.

It was so awful that I came up with a list of things that I could have been doing instead of reading:

  1. Finally watch Pink Flamingos
  2. Watch someone Whip and/or Nae Nae
  3. Set the time on a VCR
  4. Find a VCR
  5. Convince myself I like sports
  6. Shop for some sweet Affliction deep V-neck shirts
  7. Finally start a quinoa blog
  8. Have a conversation online using only Tom Hiddleston .gifs
  9. Fill myself with delight reading the Common Misconceptions page on Wikipedia
  10. Picture the actor Mike Myers as Wayne from Wayne’s World as the Mike Myers in the book
  11. Wonder what it would take for our Port Authority to make a cat its stationmaster
  12. Come up with an inane list of activities and publish it on a blog with a readership of about one metric ton [citation needed]

I didn’t do any of those things. I stuck it out because I knew that by reading I was at least engaging my brain. When I finished this book, I didn’t feel like I needed a moment of silence; I felt like I needed to excise the book from me. The next time I get a hankering to read about Pittsburgh in the early part of the last century, I’ll just reread Annie Dillard’s An American Childhood.

So, dear readers, I now ask you, how does the pacing of a book affect your desire to read it? Do you prefer a quick pace or a pace where things take their time to unfold? Have you ever wanted to throw a book across the room in frustration of its banality? Let us know in the comments below!

–Ross

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