Tag Archives: Folk

Braggin’

I’ve been a fan of Billy Bragg for years. I’ve had the pleasure of seeing him live a number of times as well. He’s one of my favorite artists and I feel lucky to have seen him often. The mix of punk and rock, with folk and soul sensibilities strikes a great balance. The Carnegie Library of Pittsburgh has number of albums by Bragg available and I highly recommend them all. Specifically:

taxman

Talking with the Taxman About Poetry. This album, released in the fall of 1986, is a fantastic snapshot of where Bragg was during this time in his career as a musician (as the bottom of the cover of the album states this is “The Difficult Third Album”) and of the larger world. There are plenty of anthems calling for change in the face of a Thatcher government in the UK (see “Ideology”) and songs that delve into relationships on every level. Some classics from this album that still get time in Bragg’s live sets include “Greetings to the New Brunette”, “Levi Stubb’s Tears” (which, co-incidentally I got to see him perform the day Levi Stubbs died…it was a heart wrenching rendition), and “There Is Power In a Union”. A sleeper hit on this album is “The Home Front”. Beautiful, sad, thought-provoking and wonderful. This album is a classic.

mr

A newer album in the CLP collection worth checking out is Mr. Love & Justice. Released in 2008, this album is a bit more of a rounded venture, including some full band numbers that are quite worth it. The opening track “I Keep Faith” is a fantastic rally cry for folks who try to change the world. “I Almost Killed You harkens back to Bragg’s punk roots inside of a love song. It’s loud and angular and excellent. “Sing Their Souls Back Home” is a beautiful take on a secular hymn for a hurting world. This album is very different from the early stuff, but it’s still excellent.

Also check out:

Billy Bragg: Volume 1

Must I Paint You a Picture: The Essential Billy Bragg

As one final note, I have to mention the recent death of one of my favorite authors. Eduardo Galeano, who I have written about previously on Eleventh Stack, died on 13 April of this year. Rest in Power.

-Eric

– who is happily ushering spring in with his old-guy soccer team

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Bonny Billy Goes to Town

It’s been a good month in Pittsburgh for fans of off-kilter, unsettling, lo-fi indie Americana. Thanks to the Warhol’s Sound Series, we’ve had a rare visit from Jeff Mangum, who brought his pretty-yet-soul-crushingly-sad sound to the Music Hall.  And this weekend, Louisville’s own Will Oldham will travel up the Ohio River (maybe) to give a concert at the Lecture Hall. It’s an intimate venue for a legendary singer-songwriter, and it’s sure to be a memorable show.

If you aren’t familiar with Oldham, aka Bonnie “Prince” Billy, aka Bonny Billy, aka Palace, aka Palace Music, there are about a million places you can start. The guy is prolific – I’ve long since giving up trying to keep up with his EPs and collaborations.  The LPs, which come about once a year, are typically excellent, and the library has a number of them available for checkout. Just about any of those in the library catalog are worth a listen, particularly, IMHO, “Beware,” “Master and Everyone,” and the live “Summer in the Southeast.”

It’s those albums, and the dozen or so others that we don’t have in our collection, plus who knows how many EPs, that have solidified Oldham’s permanent spot on a lot of listener’s playlists, and for good reason. His music is a strange merger of traditional Appalachian music with very modern confessional lyrics, and he always manages to give his music an edge – through an unexpected “explicit” lyric, a brazen synth sound in a sleepy acoustic number, or just a generally sinister vibe that permeates his otherwise pretty songs — that keeps his albums interesting. There is truly nobody putting out records quite like Oldham’s.

But if you’re rolling your eyes and thinking “geez, another sensitive singer-songwriter who makes quiet boring music?  No thanks!” (which might well be a direct quote from my wife), you might be interested in Oldham’s frequent departures from making these records. I think that anyone would have to admit that a person who covers Bjork, R Kelly, Merle Haggard, and the Misfits on the same record is someone who has diverse interests.

Consider the following five unusual moves for an indie-folk troubadour:

He did a cover album with post-rock legends Tortoise and re-recorded some of his early songs with a band of Nashville session musicians.

Are these “essential” albums? Probably not, but come on! A synth-heavy avant gard cover of Elton John’s Daniel? Check.  A glitzy Nashvegas rendition of “Agnes, Queen of Sorrow?” Sure!  These records are a lot of fun, and the library has both of them!

He made a video with Zack Galifianakas for Kanye West’s Can’t Tell Me Nothing

This one really speaks for itself. He’s the one with facial hair (har har).

He tried his hand at stand-up comedy.

He was reportedly not bad, not great, but who knows but those who were there? And you have to give the guy credit for stretching himself artistically. He has also had comedic roles on Wonder Showzen and Squidbillies, an absurdist, gross-out cartoon that runs really late at night on cable.

He had roles in some critically acclaimed movies.

In fact, he was known as an actor (for his role in Matewan) before he put out records. He has recently starred in a couple of movies (Old Joy, The Guatemalan Handshake) and had smaller roles in a couple (Junebug, Wendy and Lucy).

He has a fragrance.

Why should J Lo fans get all the perfume glory? 

Intrigued yet?

-Dan, who will be missing the event because my toddler doesn’t care what time I go to bed, we’re still getting up at 5:30.

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