Tag Archives: Corpse Bride

On Reading 100 Books (Actually, more like 50)

On January 21, 2014, I shared this picture on social media with the accompanying caption positing that I would attempt to read one hundred books during the year.

mw&c

I’m so artsty it makes me sick.

Almost as soon as my fingers pounded out the goal, I realized that reading one hundred books was out of the question; it was already practically February.  So instead I said that reading fifty would be more likely.  I don’t have a calculator in front of me, but that’s like one every week or something.

As of writing this, I’ve read fifty-one books and am on my way toward finishing number fifty-two.

Now, I realize that this isn’t a great accomplishment by any means.  Still, I was impressed with myself for setting a goal and achieving it.  While I’ve always enjoyed reading–I do work at a public library after all–there was something almost stifling about knowing that I had to finish this goal.  In fact, almost as soon as I posted the picture, one of my friends commented that it’s better to keep the goals that you set to yourself because announcing the goals tricks your mind into thinking they have already been completed.

There were many times when I started reading a book and just couldn’t get into it, and wanted to stop.  For instance, I started reading The King in Yellow after watching True Detective over the summer, but I didn’t finish it until early December.  That’s outrageous! The book is only 256 pages.  I should have been able to knock that out in a weekend.  So I set it aside and read other books.  All the while I had this nagging feeling in the back of my head that the time I put into reading those hundred or so pages would be worthless unless I finished the book in its entirety.

So I pressed on toward my goal’s end.  I knew I had to, but it wasn’t just because I’d already put it out there on the Internet. I had to do it because if I don’t finish a book, I feel like I’m disrespecting the author.

When I first take a book in my hands, open the cover and feel the paper, crisp and dry between my fingers, I’m entering into an agreement with that author and into a relationship with that book.  For however many pages, I belong to that book and it belongs to me. When I put it down, even for a few days, I feel like we’ve abandoned each other. By not being interesting or not grabbing my attention, the book has recanted its agreement with me.

A recent study showed that putting yourself in someone else’s shoes, such as when you read fiction, improves your ability to show compassion.  Maybe that’s why I have trouble abandoning those books—because I know inside those pages, I’m someone else, maybe even someone better, if only for 300 or so pages.

Please save your psychoanalyses until the end, thankyouverymuch.

I’ve listed the fifty-one books on the next three pages, broken into three categories:  Good, Godawful and Great (because I like alliteration. If I liked assonance, I’d call them All Right, Awful and Amazing).  I briefly thought about ranking them, but then I realized that my rankings would do nothing to sway you if you’d already read a particular book and loved it and vice versa.  All I can say is that I highly recommend all the ones that I’ve put in the Great category.

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Strange Characters: The Cinematic Pairings of Tim Burton and Johnny Depp

Photo taken from MTV.com – all rights reserved to same – click through to read an interview with Tim Burton

Photo taken from MTV.com – all rights reserved to same – click through to read an interview with Tim Burton

In anticipation of Tim Burton’s Big Eyes coming out on Christmas Day, I’ve been having my own Burton retrospective and recently watched Edward Scissorhands for the umpteenth time.  With this film, Burton found a kindred spirit in Johnny Depp that has survived over two decades and has resulted in some of Burton’s best-known films. While he isn’t in Big Eyes, Depp has starred in eight of Burton’s seventeen films. That is, when he isn’t busy making drunken appearances at awards shows or getting fossils named after him.

Below is my much mulled-over ranking of those eight Burton/Depp cinematic pairings.

8. Dark Shadows (2012)

This film had the potential to be a hit.  On paper, a film about a dysfunctional family with a vampire patriarch is right in Burton’s wheelhouse. And besides, he and Depp both had a fondness for the soap opera from which the movie was based.   Sadly, that passion is never present on-screen.  While Burton has previously struck a wonderful balance with macabre humor and black comedy, he falters and stumbles here.  Perhaps it was the audience’s vampire fatigue or the overwhelming presence of the juggernaut known as The Avengers, but the film only grossed just over half of its production budget.  This film, along with the next one, really made me question whether or not Burton and Depp’s artistic relationship had grown stagnant.

7. Alice in Wonderland (2010)

The movie that grossed over a billion dollars worldwide also has a 51% rating on Rotten Tomatoes so make of that what you will.  One would think that it would be a visual treat, but it’s apparent the actors are acting against a green screen for most of the film. The backgrounds look flat and lifeless and that’s exactly how I’d summarize the entire film—flat and lifeless.  It’s truly saying something when the scenes that take place before Alice falls down the rabbit hole look more vibrant than the scenes in Wonderland Underland.

Giving a plot to a story that famously had no plot could have worked, but Linda Woolverton concocted the most generic chosen-one-must-fulfill-a-prophecy-and-vanquish-evil plot imaginable.  It was doubly disappointing for me because longtime musical collaborator Danny Elfman’s score was one of the best he’s done in recent years.  I listened to the score before I saw the movie and it conjured up images of fantastical epics.  Sadly, the only thing fantastic about the movie is that someone thought it would be a good idea to commit this to film.

6. Charlie and the Chocolate Factory (2005)

I remember freaking out when that trailer came out and loved the movie when I saw it, but have since reassessed my opinion of it.  There’s nothing really technically wrong with it, nor is it a bad film; it’s just an unnecessary remake.  Then again, I don’t have an intense fondness tied to the original, despite Gene Wilder’s wonderful turn as the eccentric chocolate maker.  Still, this interpretation is closer to Roald Dahl‘s book and I actually prefer Elfman’s songs to the ones written by Anthony Newley and Leslie Bricusse.  Wilder’s interpretation was, and still is, iconic, so it was important for Depp to do something completely different in the role.  And, sure enough, he did.  I always felt that it was unfair that Depp’s performance was compared to Michael Jackson.  If you’ll recall, Michael Jackson loved kids.  Willy Wonka hated them and turned them into candy.  Get your facts right, Internet.

What are the top five Burton/Depp movies? Click through to find out!

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