I started reading historical romance a little over two years ago because I was sick and tired of reading sad and depressing books that were highly touted in literary circles, The New York Times Book Review, and book clubs. I once derided the entire romance genre as frivolous until I actually read one.
I now only want happy endings, sparkling dialogue, and a passionate love story; even better: a book that can make me laugh and smile.
I thoroughly enjoy the witty works of Jane Austen, so historical romance is my favorite reading pleasure. I can always count on a lovely story and, with these three authors, laugh out loud humor.
We don’t own all of this author’s delightful books except for her Writing Girls series, about Regency era working women who write for the scandal sheet, The London Weekly–which, incidentally, makes a recurring appearance as it reports on scandals in almost all her novels.
Isn’t this a great cover?! In this story, the first in the series, Lady Emma Avery is a wallflower whose name is falsely linked with the handsome and rich Duke of Ashbrooke in The London Weekly. They decide to keep their pretend engagement so that he might redeem his debauched reputation and find investors to fund his invention and she, in turn, can raise her social standing in society. Of course, things don’t work out as planned. This book is part of an amusing concurrent historical/contemporary series–the contemporary part being a series of novellas called Bad Boys—with a similar theme of a pretend engagement–Rodale calls it a “fauxmance”–on Facebook and other social media. Fun fact: the heroine is a librarian at the New York Public Library.
“’It can’t be any more torturous than a wallflower’s fourth season on the marriage mart.’” (p52)
“It was official: she’d had more callers in this one hour than in four seasons combined. Behold: the power of Ashbrooke.” (p26)
With her cheeky Courtesan Court series about the everyday lives of a group of mistresses on Jane Street to her London List series about a Regency-era scandal sheet of provocative personal ads spoofing today’s craigslist, to her most recent Edwardian-era series, Ladies Unlaced, which takes place around a slightly unorthodox employment agency, I can pretty much count on Maggie Robinson to always make me laugh.
A wacky, independent yet vulnerable heiress, Louisa Stratton hires Charles Cooper, a traumatized war veteran down on his luck, to pose as her fiancé on a visit home to her undeserving family. She hopes to display a veneer of successful independence with a loving, artistic husband while Charles just wants the cash.
“Louisa Stratton was a handful who would drive the average man to drink. Hemlock, if it was handy.” (p175)
”’If you were my wife, I’d rescue you. You could live just as you pleased—I wouldn’t interfere with whatever cork-brained scheme you dreamed up.’” (p240)
“Any husband she’d have would risk being henpecked until he resembled a dartboard.” (p289)
Bowman is a newcomer to historical romance and her lighthearted and charming Regency era Secret Brides series is wonderfully entertaining and funny. Each title represents the scandals in the books, written in pamphlets–think of today’s zines–and are the same titles as the books:
- Secrets of a Wedding Night is about what really happens on a wedding night as written by an unhappily married young widow.
- Secrets of a Runaway Bride depicts the adventures of a young and impetuous debutante who tries to run away with a young man who does not requite her love.
- Secrets of a Scandalous Marriage, the last in the series, is penned by a death-row duchess accused of murdering her husband. There are also two novellas that round out the series.
From Secrets of a Scandalous Marriage:
“Since coming in the back door, she was already warming up, and she hadn’t had a proper bath in over a fortnight. No doubt she smelled like a foot. A very dirty foot.” (p44)
“‘If you’re going to be a scandal, darling, be a complete scandal.’” (p318)
From Secrets of a Runaway Bride:
“First of all, you should not have been eavesdropping. It’s unspeakably rude, and second, what would you know about a marital bed? You’re not married!” (p59)
“Arthur isn’t here now to see, is he? If you’re heaven’s gift to the fairer sex, why don’t you prove it?” (p61)
-Maria, who is done with sad books forever
Note: This post is the third in a series highlighting historical romance novels I’ve greatly enjoyed.